A comparison of
how women are represented in perfume and fragrance adverts from the 1920s 1970s
and 2015
I am going
to compare how women are portrayed from the 1920s to 2015 in perfume
advertisements: Mavis Vivadou (print
1920s), Charlie Revlon (print 1973),
and Olympea Paco Rabanne (print 2015). l
Mavis Vivadou (1924 print)
For my first
perfume advertisement I have chosen the Vivadou’s Mavis irresistible beauty secrets, which was produced around the
1920s, 1924 to be exact.
This advert
shows a sense of lust and desire. Her posture and gesture reveal this. The
women is admiring her reflection from the mirror and almost flattering herself.
She is looking longingly into the mirror and is holding the mirror with both
hands which shows that. She is looking at herself how a man would look at her
later on in the night and she is all dressed up because she wants to appear as
alluring and sensual towards her ‘love interest’ which could be a crush, her
husband or someone she is trying to pursue. She is leaning her head back and
her lips are pursed this refers to the women being ‘irresistible’ which is
infact the slogan of the fragrance so that links up with the image. She looks
like she is connected to herself through the mirror which suggest that if you
wear this perfume then you will become irresistible and nobody will be able to
take their eyes off you, not even yourself.
The
representation in this advert is one of a high society woman who values glamour
very highly. The target audience for this advert is not going to be only
society women because this is an aspirational advert. Many women will dream to be
able to be of a higher class or be richer so they can afford Vivadou because
it’s a desirable fashionable brand.
The rich
colours are key to understanding the brand messages and values of Vivadou. The
colour scheme is very elegant and royal showing an expensive taste by using
deep reds and blacks to show sexiness because you usually associate the colour
red with sex. The gown that the woman is wearing is very sophisticated and
glamorous, showing that this women may attend fancy dinners, drink wine and
wear expensive jewellery. Her gown is draped down her shoulders so her bare
skin is exposed which also shows her sexiness but in a classy tasteful way. Her
hair is done up and her makeup is flawless which maybe suggests she is getting
ready to go out to somewhere fancy. The bottles at the bottom are very fancy
and the font of Vivadou is very bold and simple but is still tasteful. The woman
is represented as vulnerable but still elegant so it would appeal to
sophisticated woman who can afford evening clothes and afford to go out to the
theatre and dinner and might have a rich husband who pays for all her luxuries.
This woman’s social class is probably higher class because of the dress she is
wearing and the jewellery she has on.
Charlie Revlon (1973 print)
For my
second perfume advert I chose Revlon’s
Charlie which is from 1973. It’s made to look older because it’s in black
and white.
This
advertisement shows that women are starting to get more independent and being
able to wear men suits and hold briefcases and have manly qualities which is
acceptable. It shows that women don’t have to always wear dresses and be
housewives and adopt womanly features. This advert shows there is no stopping
women taking on the role of a man.
Her facial expressions
show that she is confident happy and not afraid to be herself. She is naturally
smiling at the camera which shows it’s not too posed or forced. Her arms are
going forward like she is waking through a street on the way to work or an
important business meeting. She is holding a briefcase to signify that instead
of having a womanly handbag she has a manly briefcase.
Her heels
show she is still a woman but she can be whoever she wants and wear whatever
she wants and people will see her as a powerful but still sexy woman, like it
says in the caption. ‘The gorgeous, sexy-young fragrance’. The name of the
brand ‘Charlie’ is a uni-sex name that can be used for a man or a woman.
Showing that just because this is a female she is still allowed to wear a suit,
have a briefcase and appear as powerful and also have a name like ‘Charlie’ and
by this time it was acceptable and seen as a show of independence.
In comparison to the Vivadou mavis advertisement,
this advert portrays women in an influential authoritative sense. In The mavis
advert she is wearing an evening gown and lots of makeup and jewellery and she
is shown as the typical elegant glamorous woman. She
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